Thursday, June 3, 2010

Art and Deformation


Louise Bourgeois
Seven in a bed.
This installation sculpture displays her interest in the fame body particulary. It involves the viewer in ways which it is disturbing aand shocking. Louise has always been ocupied with themes of childhood, trauma and sexuality.By doing so she questions the conception of sculpture as a high art which utilises an expensive material and idealizes the body. The art of sewing, traditionally seen as a craft relegated to the woman's sphere, is remade and revised in Bourgeois' sculptures.

Art&Narrative: Fernando Mastrangelo




Felix,2008-2009
Fernando Mastrangelo was born in 1978 and raised in the United States,Mexico, and Argentina.From his earliest work, MNastrangelo has explored narrative sculpture and relationships to contemporary politics, ancient history, philosophy, and environment.
'My work over the past two years has focused on the use of such materials as media which I use to create cultural objects that propose a narrative of commodity production and the invisible labor force behind it."

I love the work ';Felix,2008-2009', the way Fernando Mastrangelo installed his sculpture. The glass floor the way its being positioned and dark room, it all comes together so well!.

If you'r interested click onto his website http://fernandomastrangelo.com/recent.html

Art&Deformation:Lucy and Bart




Germination Day eight:
Go for gold

Very interesting couple!!
Lucy and Bart is a collanoration between Lucy McRae and Bart Hess described as an instinctual stalking of fashion, architecture, performance and the body. They share a fascination with genetic manipulation and beauty expression. They work in a primitive and limitless way creating future human shapes, blindly discovering low-tech prosthetic ways for human enhancement.
I think they works are most based on the idea of the fashion, with using unsual materials or elements...pretty interesting~!

Wednesday, June 2, 2010

Art&Nature:Lee Gil Rae

Lee-Gil-Rae is an Korean artist. His works are based on creating sculpture with welding metals together to create tree based installation. Lee Gill Rae's work presents a possibility of post-sculpture, while maintaining an aesthetic of traditional sculptures. His work presents a form that lacks massiveness, has a structure wherein the inside runs through the outside, and a pictorial situation. Through all of this, his work maintains a dual-tension relationship with traditional sculpture, and there the distinctive chracter of Lee Gil Rae's work begins. He has been consistently pursuing inherent or original forms of nature, and his subject matter has included such things as a lost castle,archeological excavations, creation, cohesion and recently he mad his tree series.

I really like his work, the way he structured the sculpture in the exhibition space, the images of his works are amazing. The details of the works are interesting. Lee's interest in nature hits a turning point in the combination between the inner vitality of nature and the sensusous shapes of nature.

Old Pine Tree1-Copper welding 262,5 x 116 x 294 cm 2008
Annual ring 1- Copper welding 247 x 247x4cm 2007

art galleries fact sheet

here is something ive come across doing some research for my essay and found it quite interesting/funny. wanted to share it with you guys. happy writing essay :)

- from "arts and culture in australia : a statistical overview, 2008
- Australian Bureau of Statistics


HOW MANY PEOPLE GO TO ART GALLERIES?

The ABS report, Attendance at Selected Cultural Venues and Events, Australia, 2005-06 (cat. no. 4114.0) found that approximately 3.6 million people, or nearly one quarter (23%) of all people in Australia aged 15 years and over, visited art galleries in the 12 months before interview. Most of these people (63%) had visited an art gallery just once or twice in the 12 month period.

According to Children's Participation in Cultural and Leisure Activities, Australia, 2006 (cat. no. 4901.0), 995,200 children visited a museum or art gallery outside of school hours during the 12 months prior to interview in April 2006. The rate of attendance was similar for boys (38%) and girls (36%) and the same for children aged 5 to 8 years and 9 to 11 years (40%). Older children aged 12-14 years were less likely to attend art galleries, with a lower attendance rate of 31%. Data for children's attendance at art galleries alone was not available.

As reported in Museums, Australia, 2003-04 (cat. no. 8560.0), there were 11.5 million admissions to art museums in the 12 months prior to interview, with the majority of these (87%) being free admissions. Admissions to art museums accounted for nearly two fifths (37%) of total admissions for all museums.

It is important to note the difference between the number of visitors as reported by the Attendance publication and the number of visits as reported by Museums, Australia. Attendance at Selected Cultural Venues and Events, Australia, 2005-06 (cat. no. 4114.0) reported that 3.6 million people visited art galleries, while Museums, Australia, 2003-04 (cat. no. 8560.0) reported that there were 11.5 million visits to art museums. These figures are vastly different because the Attendance publication reports on data collected in relation to 'visitors' while Museums, Australia reports on number of 'visits'. For the Attendance publication, data are collected about whether each respondent has visited a selected cultural event or venue in the past 12 months and, if so, how frequently they have visited. Regardless of how many times a respondent has visited a selected cultural venue or event in the 12 month reference period, they are counted as one visitor. This differs from the Museums, Australia publication where a visit can count the same visitor returning numerous times. So, one person visiting art galleries 10 times in 12 months would be counted as one visitor in the Attendance at Selected Cultural Venues and Events publication, but as 10 visits in Museums, Australia.


ARE SOME PEOPLE MORE LIKELY TO VISIT ART GALLERIES THAN OTHERS?

The Cultural Ministers Council Statistics Working Group published a report entitled The Social and Demographic Characteristics of Cultural Attendees in 2006 using data from the ABS' 2002 General Social Survey. This report found that the following characteristics were associated with art gallery attendance:

- Females in every age group except 18-24 year olds were more likely to visit an art gallery than males.

- Likelihood of attending art galleries increased with age, with people aged 45 years and over more likely to visit art galleries than those aged 18-34 years.

- People living in Western Australia, Tasmania, the Northern Territory and the Australian Capital Territory were more likely to visit art galleries than people in New South Wales.

- People born in Australia were more likely to visit art galleries than those born in a non-main English speaking country.

- People without children were more likely to visit art galleries than families with dependent children.

- Part-time workers (1-34 hours a week) were more likely to attend art galleries than those who worked full-time (35 hours or more per week).

- People living in areas that were less disadvantaged (according to SEIFA) were more likely to attend art galleries than those living in more disadvantaged areas. However, among those who attended art galleries, people living in the most disadvantaged areas were more likely to attend frequently than those in the middle SEIFA quintile. More information about SEIFA is available from Information Paper: Census of Population and Housing -- Socio-Economic Indexes for Areas, Australia, 2001 (cat. no. 2039.0).

- More highly educated people were more likely to visit art galleries.

- Those who had a computer at home were more likely to visit art galleries.

- People who were able to raise $2,000 for an emergency within a week were more likely to go to art galleries.

- People who felt safe or very safe at home alone after dark were more likely to attend art galleries than those who felt unsafe or very unsafe or who were never home alone after dark.

- People who stated that they were in excellent health were more likely to attend art galleries than those who said they were in poor health.

- People with at least weekly contact with family and friends were more likely to visit art galleries than those who had less frequent contact.


http://abs.gov.au/ausstats/abs@.nsf/featurearticlesbyCatalogue/EC433861A9687905CA2574E9001337FA?OpenDocument#PARALINK8

Another Chapman bros




Its pretty obvious when looking at the Chapman Brothers works they they have a bit of an artistic man crush on Goya an artist who is arguably one of the first to delight in abjection. The work I find so incredibly interesting in regards to deformation is their 2003 body of work "Insult to Injury". Where they had collected arguably one of the most important complete sets of prints in the artistic world and systematically "rectifyed" them, painting clown and puppy heads on those of all the distrested war victims. This act of defacement has become as much of an afront to the many in the art as and the horrors depicted in the orignal prints. Its effects are almost carnvalseque circumventing the usual high reverence for art that has attained a level of historical reverence. I think this is a really clever and brave work it seems in this case the adding abjection to abjection can make for some beautiful ideas.

Art and Deformation : Mike Kelly

Hanging Stuffed Animals and Deodorizers
1991

Mike Kelly's work questions 'normative' values, looking at all of the fixed ideas about childhood, sexuality, gender, region, education and so on. He has been influenced by history, politics and underground rock music (he was in a band with tony Oursler). 'Extracurricular Activity Projective Reconstruction' is a collection that features many of these works dealing with deformity. He seems to dislike the ideals of this generation/popular culture so his disfigured sculptures and paintings are him expressing this dislike. He describes himself as an avant-gardist so i think he feels hes stuck in the wrong generation?

"so were living in the post-modern age; the death of the avant-garde. so all i can do now really is work with this dominant culture and flay it, rip it apart, configure it."

BLOG Posts

Complete your BLOG posts by MONDAY and I'll be happy!

A

Tuesday, June 1, 2010

Annotated Bibliography

Fluid, 2003.



'All that is solid', 2004.
Sit, 2002.
Bibliography (Annotated):
This site is an online gallery which has profiles of it's artists and their work. I found it a useful resource because it reuterated ideas I had previously had about the artist and helped to confirm my theories.
This is Claire Morgan's own site, it contains a full history of her work with descrptions and images and work dimensions. All the images on the site are taken by the artist herself as documentation. This was a good site to source the images I used in my presentation. Also what was useful was extended quotes by the artist about her work, which helped me to further comprehend the meaning of the work as well as the artist's intention.
Heartney, Eleanor. Art & Today. New York: Phaidon Press ltd. 2008. Chapt. Art and Deformation.
This was a useful introduction to deformation in art, but I found that it focus almost entirely of the deformation of the female body in art, in the most obvious sense. This did not help very much because my artist's work references human imperfection and the body in a more symbolic way rather than literal one.

art, nature and technology - jorge roberto lopes dos sants





personally, i fear the rapid development of technology and science. i know we seek and need it for our convenience, i wont be able to live without my mobile phone, internet or my car. but sometimes some projects and products are almost frightening like the development of weapons. anyhow for the topic of "art, nature and technology" i would like to introduce you to Jorge Lopes dos santos. brazilian design graduate of royal college of art in london jorge lopes has developed a way to make physical models of foetuses by employing ultrasound 3D, CT and MRI scans. the project in collaboration with a paediatric cardiologist at imperial college, jorge lopes succeeded in producing a life size and realistic model of an unborn baby has not only astonished the parents anxiously waiting for their child to be born but connecting them like it has never done before especially for those who are visually impaired. it also carries a lot of potential for and medical world.

http://www.dezeen.com/2009/07/16/the-fetus-project-by-jorge-lopes-dos-santos/

art and time - claire healy & sean cordiero




Lifespan, 2009
claire healy & sean cordeiro (australia)
53rd Vennice Biennale



claire healy & sean cordeiro are contemporay Australian sculptors who collaborates to produce works exploring the relationship between creation and consumption, often working with recycled and reused quotidian objects. they also work in solos - claire healy experiments with large scale site-specific installations whilst sean cordeiros work are public and in-gallery installational sculptures. one of the duos recent collectItalicion Lifespan, 2009 which represneted Australia in 53rd vennice Biennale was an installation piece which consisted of 195 774 VHS video cassettes arranged into a solid rectangular block. the combination running time for all videos which adds up to 60.1 years represented the average lifespan of a person during the 1976 the year VHS was first produced. it captures ones life in such materialistic product which is quite ironic and witty. your whole life in just a block.



claireandsean.com


Louise Bourgeois, Influential Sculptor, Dies at 98

http://www.nytimes.com/2010/06/01/arts/design/01bourgeois.html

ART & Deformation - Final Presentation

Joy, Suzannah & Isabella: looking forward to your presentations tomorrow.

Monday, May 31, 2010

Art Nature & Technology


Artist: Ian Haig

"Devolution, mutation and montrosity. These are the conspicuous and at times outrageous preoccupations of Ian Haig, whose work satirises our apparent desire to become one with our machines. Questions to do with what it means to be human, what is natural and what is not in relation to technology are the centre of Haig's practice. For Haig the utopian mystique associated with computers is an illusion that disguises a post-human nightmare of devolution. Haig's bizarre and hysterical work is the closest thing we have in Australia media arts to a theatre of the absurd, in which fundamental issues of human nature are exaggerated and deformed for clarity of inspection."

"The Excelsior 3000: Super Interactive Toilets (2001) is the pinnacle of bowel technology, a 'new, modified, interactive toilet' to assist in the proper functioning of our changing bodies. Computers have made us more sedentary, which is not good for the digestion. The Excelsior 3000 responds to this predicament by converging the humble WC with custom-built, high-end media stations. Hydraulic seats ease the user into position and interactive LCD video screens allow them to choose from a menu of soothing video sequences depicting naturalistic and suggestive scenes. These scenes, combined with enticing surround-sound sequences of contracting and expanding textures, have been designed to aid and stimulate bowel movement. Haig's super-interactive toilets are the latest domestic appliance to accommodate what we are becoming in the technological reinvention of nature."

Part of a chapter from: Interzone, Media Arts In Australia, Chp5: Artificial Nature
By: Darren Tofts

I feel that Ian Haig, has done exactly as the article title imply's that is creating an artificial nature. An extreme reality, that could possibly be our future, unlikely but still possible. Haig makes use of contemporary new age technologies, to create a parody on societal consumption and rapid advancement.

Excelsior 3000: Super Interactive Toilet (2001)

Catchup post-Art and Narrative




Doug Aitken is an artist that works with sculpture, installation and video art. He is fascinated with the urban lifestyle and the many stories it contains through the great number of people living in such a compacted area. He describes it best when he said : " So your walking down an urban street alone, it's late at night, and your feeling isolated, but meanwhile passing through you are the signals of millions of phone calls, intimate conversations, radio waves, music, news, beats of information" does it somehow connect with your pulse?I think the city is a kind of a broken story." 'Sleepwalkers' is a good example of this idea of the isolation in a densely populated place. The daily activities of five average city inhabitants are projected onto city buildings, all of their activities are in sync with each other which unifies them though they are very distanced people. By giving voices to these 'insignificant' people a narrative about modern urban life is created.





Plateau 2002

Plateau refers to the idea of the “meta-city.” The arrangement of corporate logos tells the story of modern urban lifestyle in the cardboard city that is chaotic, sanitized, and anonymous.

Sunday, May 30, 2010

Deformation: Jake and Dinos Chapman

The work by these artists seem very strange. They have a collection of sculptures in the MCA for the Biennale. These have been made out of cardboard and painted crudely. Crudely is an appropriate word to describe all of these bizarre little sculptures.
Many of their other works are appropriations of paintings by Goya, who created images of the grotesque. The artists seem to be aiming to create something humorous out of horrific scenes.
It appears that they get into media brawls over their confronting statements and artworks. They might be trying to challenge the pompus civility ingrained in some parts of British society.
Their works analyse religion, morality and politics. At the MCA many of there cardboard figures were performing sex or just naked and deformed. One work included a number of dinosaurs, one of which was being urinated on.
I wanted to post this to see what opinions everyone else had on their works, particularly those in the Biennale. I felt perplexed, but it was funny. It seemed to reflect that the world has gone to shit, so lets have some fun.

If there is a real explanation, I'd like to hear it from someone who felt they properly understood these works.

Did anyone else see that one of the wooden plinths was actually cardboard painted to look like wood? Do you know why? I couldn't think of a reason.

http://en.wikipedia.org/wiki/Jake_and_Dinos_Chapman
http://www.whitecube.com/artists/chapman/
http://www.jakeanddinoschapman.com/

Saturday, May 29, 2010

Research A Assignment

I received an email from Chris (who took your library research class) regarding students who have not completed the Library Research Assignment. This assignment is compulsory and you will have to repeat this class if you do not submit the assignment.

If your name appears below please get in contact with me regarding this:

Nicholas Maurer
So-Jung Esther Park

Laura Prerau

Elizabeth Russ

Art & Time- Doug Aitken

Migration, 2008
Electric Earth, 1999

99c Dreams

Doug Aitken is a video installation artist. The Art & Today book describes the meaning behind Aitken's works, it says "He breaks down the typically linear structure of video and film to capture the contemporary perception of time as a fragmented, accelerated, and muti-layered expericence". Aitken uses reel time in his works to represent the way he sees real time in the modern world, (that time can feel different, faster or slower, it is not all the same, different settings, feelings and the people around can affect a persons sense of real time).

Art & Narrative- ILYA KABAKOV

Kitchen #2 Voices
The Short Man (The Bookbinder)
The Man Who Flew into Space from His Apartment, 1985-1988

Ilya Kabakov is an installation artist, who uses many different materials and techniques to create different artworks. The main themes of his artworks deal with issues from the Soviet Union, he has also created installations using soviet spaces. He uses interesting and different ways to represent his ideas about the Soviet Union, his installations do not always directly relate to the Soviet Union, in his works he chooses to relate to the people that lived though the Soviet union and tell there story. Kabakov creates his works around the main theme of the Soviet Union because it was a large part of his life. Kabakov works does not have a strong polictial message, i believe that Kabakov creates uses works for just the purpose of telling the stories of the people to the rest of the world.
The materials and structure of his works means that the viewer is forced to look and try to understand the story being told by the artist.

Art & Deformation- Petah Coyne

Untitled #1287 (Tati), 2009


Untitled #1274 (Death in Venice), 2003-2008

Untitled #1263 (Night mother), 2007-2008

Petah Coyne uses items including lace, fake flowers, hair, birds and ribbons to create bases for her sculptures. Coyne uses techniques such as dripping wax over the items, this techniques creates a amazing effect for her sculptures it brings all the items used together into one and changes the way the objects are normaly viewed.
The objects and techniques that Coyne uses gives femininity to her sculptures.

Friday, May 28, 2010

Deformation Presentation

Hey was it Suzannah and Isabella doing Art and Deformation?
The artist I'm doing is Louise Bourgeois. Hopefully we haven't done the same

Joy
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