
Thursday, June 3, 2010
Art and Deformation

Art&Narrative: Fernando Mastrangelo




I love the work ';Felix,2008-2009', the way Fernando Mastrangelo installed his sculpture. The glass floor the way its being positioned and dark room, it all comes together so well!.
Art&Deformation:Lucy and Bart


Germination Day eight:
Go for goldWednesday, June 2, 2010
Art&Nature:Lee Gil Rae
I really like his work, the way he structured the sculpture in the exhibition space, the images of his works are amazing. The details of the works are interesting. Lee's interest in nature hits a turning point in the combination between the inner vitality of nature and the sensusous shapes of nature.

Old Pine Tree1-Copper welding 262,5 x 116 x 294 cm 2008
Annual ring 1- Copper welding 247 x 247x4cm 2007
art galleries fact sheet
here is something ive come across doing some research for my essay and found it quite interesting/funny. wanted to share it with you guys. happy writing essay :)
- from "arts and culture in australia : a statistical overview, 2008
- Australian Bureau of Statistics
HOW MANY PEOPLE GO TO ART GALLERIES?
The ABS report, Attendance at Selected Cultural Venues and Events, Australia, 2005-06 (cat. no. 4114.0) found that approximately 3.6 million people, or nearly one quarter (23%) of all people in Australia aged 15 years and over, visited art galleries in the 12 months before interview. Most of these people (63%) had visited an art gallery just once or twice in the 12 month period.
According to Children's Participation in Cultural and Leisure Activities, Australia, 2006 (cat. no. 4901.0), 995,200 children visited a museum or art gallery outside of school hours during the 12 months prior to interview in April 2006. The rate of attendance was similar for boys (38%) and girls (36%) and the same for children aged 5 to 8 years and 9 to 11 years (40%). Older children aged 12-14 years were less likely to attend art galleries, with a lower attendance rate of 31%. Data for children's attendance at art galleries alone was not available.
As reported in Museums, Australia, 2003-04 (cat. no. 8560.0), there were 11.5 million admissions to art museums in the 12 months prior to interview, with the majority of these (87%) being free admissions. Admissions to art museums accounted for nearly two fifths (37%) of total admissions for all museums.
It is important to note the difference between the number of visitors as reported by the Attendance publication and the number of visits as reported by Museums, Australia. Attendance at Selected Cultural Venues and Events, Australia, 2005-06 (cat. no. 4114.0) reported that 3.6 million people visited art galleries, while Museums, Australia, 2003-04 (cat. no. 8560.0) reported that there were 11.5 million visits to art museums. These figures are vastly different because the Attendance publication reports on data collected in relation to 'visitors' while Museums, Australia reports on number of 'visits'. For the Attendance publication, data are collected about whether each respondent has visited a selected cultural event or venue in the past 12 months and, if so, how frequently they have visited. Regardless of how many times a respondent has visited a selected cultural venue or event in the 12 month reference period, they are counted as one visitor. This differs from the Museums, Australia publication where a visit can count the same visitor returning numerous times. So, one person visiting art galleries 10 times in 12 months would be counted as one visitor in the Attendance at Selected Cultural Venues and Events publication, but as 10 visits in Museums, Australia.
ARE SOME PEOPLE MORE LIKELY TO VISIT ART GALLERIES THAN OTHERS?
The Cultural Ministers Council Statistics Working Group published a report entitled The Social and Demographic Characteristics of Cultural Attendees in 2006 using data from the ABS' 2002 General Social Survey. This report found that the following characteristics were associated with art gallery attendance:
- Females in every age group except 18-24 year olds were more likely to visit an art gallery than males.
- Likelihood of attending art galleries increased with age, with people aged 45 years and over more likely to visit art galleries than those aged 18-34 years.
- People living in Western Australia, Tasmania, the Northern Territory and the Australian Capital Territory were more likely to visit art galleries than people in New South Wales.- People born in Australia were more likely to visit art galleries than those born in a non-main English speaking country.
- People without children were more likely to visit art galleries than families with dependent children.
- Part-time workers (1-34 hours a week) were more likely to attend art galleries than those who worked full-time (35 hours or more per week).
- People living in areas that were less disadvantaged (according to SEIFA) were more likely to attend art galleries than those living in more disadvantaged areas. However, among those who attended art galleries, people living in the most disadvantaged areas were more likely to attend frequently than those in the middle SEIFA quintile. More information about SEIFA is available from Information Paper: Census of Population and Housing -- Socio-Economic Indexes for Areas, Australia, 2001 (cat. no. 2039.0).
- More highly educated people were more likely to visit art galleries.
- Those who had a computer at home were more likely to visit art galleries.
- People who were able to raise $2,000 for an emergency within a week were more likely to go to art galleries.
- People who felt safe or very safe at home alone after dark were more likely to attend art galleries than those who felt unsafe or very unsafe or who were never home alone after dark.
- People who stated that they were in excellent health were more likely to attend art galleries than those who said they were in poor health.
- People with at least weekly contact with family and friends were more likely to visit art galleries than those who had less frequent contact.
http://abs.gov.au/ausstats/abs@.nsf/featurearticlesbyCatalogue/EC433861A9687905CA2574E9001337FA?OpenDocument#PARALINK8
Another Chapman bros


Art and Deformation : Mike Kelly
Hanging Stuffed Animals and Deodorizers1991
Mike Kelly's work questions 'normative' values, looking at all of the fixed ideas about childhood, sexuality, gender, region, education and so on. He has been influenced by history, politics and underground rock music (he was in a band with tony Oursler). 'Extracurricular Activity Projective Reconstruction' is a collection that features many of these works dealing with deformity. He seems to dislike the ideals of this generation/popular culture so his disfigured sculptures and paintings are him expressing this dislike. He describes himself as an avant-gardist so i think he feels hes stuck in the wrong generation?
"so were living in the post-modern age; the death of the avant-garde. so all i can do now really is work with this dominant culture and flay it, rip it apart, configure it."
Tuesday, June 1, 2010
Annotated Bibliography
Fluid, 2003.art, nature and technology - jorge roberto lopes dos sants

personally, i fear the rapid development of technology and science. i know we seek and need it for our convenience, i wont be able to live without my mobile phone, internet or my car. but sometimes some projects and products are almost frightening like the development of weapons. anyhow for the topic of "art, nature and technology" i would like to introduce you to Jorge Lopes dos santos. brazilian design graduate of royal college of art in london jorge lopes has developed a way to make physical models of foetuses by employing ultrasound 3D, CT and MRI scans. the project in collaboration with a paediatric cardiologist at imperial college, jorge lopes succeeded in producing a life size and realistic model of an unborn baby has not only astonished the parents anxiously waiting for their child to be born but connecting them like it has never done before especially for those who are visually impaired. it also carries a lot of potential for and medical world.
http://www.dezeen.com/2009/07/16/the-fetus-project-by-jorge-lopes-dos-santos/
art and time - claire healy & sean cordiero

claire healy & sean cordeiro (australia)
ion Lifespan, 2009 which represneted Australia in 53rd vennice Biennale was an installation piece which consisted of 195 774 VHS video cassettes arranged into a solid rectangular block. the combination running time for all videos which adds up to 60.1 years represented the average lifespan of a person during the 1976 the year VHS was first produced. it captures ones life in such materialistic product which is quite ironic and witty. your whole life in just a block. claireandsean.com
ART & Deformation - Final Presentation
Monday, May 31, 2010
Art Nature & Technology
Catchup post-Art and Narrative

Plateau 2002Sunday, May 30, 2010
Deformation: Jake and Dinos Chapman
Many of their other works are appropriations of paintings by Goya, who created images of the grotesque. The artists seem to be aiming to create something humorous out of horrific scenes.
It appears that they get into media brawls over their confronting statements and artworks. They might be trying to challenge the pompus civility ingrained in some parts of British society.
Their works analyse religion, morality and politics. At the MCA many of there cardboard figures were performing sex or just naked and deformed. One work included a number of dinosaurs, one of which was being urinated on.
I wanted to post this to see what opinions everyone else had on their works, particularly those in the Biennale. I felt perplexed, but it was funny. It seemed to reflect that the world has gone to shit, so lets have some fun.
If there is a real explanation, I'd like to hear it from someone who felt they properly understood these works.
Did anyone else see that one of the wooden plinths was actually cardboard painted to look like wood? Do you know why? I couldn't think of a reason.
http://en.wikipedia.org/wiki/Jake_and_Dinos_Chapman
http://www.whitecube.com/artists/chapman/
http://www.jakeanddinoschapman.com/
Saturday, May 29, 2010
Research A Assignment
I received an email from Chris (who took your library research class) regarding students who have not completed the Library Research Assignment. This assignment is compulsory and you will have to repeat this class if you do not submit the assignment.
If your name appears below please get in contact with me regarding this:
Nicholas MaurerSo-Jung Esther Park
Laura Prerau
Elizabeth Russ
Art & Time- Doug Aitken
99c Dreams
Doug Aitken is a video installation artist. The Art & Today book describes the meaning behind Aitken's works, it says "He breaks down the typically linear structure of video and film to capture the contemporary perception of time as a fragmented, accelerated, and muti-layered expericence". Aitken uses reel time in his works to represent the way he sees real time in the modern world, (that time can feel different, faster or slower, it is not all the same, different settings, feelings and the people around can affect a persons sense of real time).
Art & Narrative- ILYA KABAKOV
Kitchen #2 Voices
The Short Man (The Bookbinder)Art & Deformation- Petah Coyne
Untitled #1274 (Death in Venice), 2003-2008
Untitled #1263 (Night mother), 2007-2008Friday, May 28, 2010
Deformation Presentation
The artist I'm doing is Louise Bourgeois. Hopefully we haven't done the same
Joy
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